Selected Curatorial & Coordination Projects
| Date | Role | Project Type | Places / Partners | Project Name | People | Images | Description |
|---|---|---|---|---|---|---|---|
| November 2026 | Event coordination (Team Assistant, Autograph) | Teachers' Continuing Professional Development session | The Photographers' Gallery, Autograph | Teachers' Session | Reworking Photographs by Hand | Jai Moodie (artist/ teacher), Seth Pimlott (Engagement Curator at Autograph), Janice McLaren (Head of Education & Projects at TPG) | upcoming... | A practical CPD session exploring creative ways to engage GCSE and A-level Photography students through techniques for reworking photographs by hand (cutting, collage, drawing, sewing), led by artist and teacher Jai Moodie and programmed in partnership with Autograph's Visible Practice Residency. |
| October 2026 | Event coordination (Team Assistant, Autograph) | Book Launch Event | Claire de Rouen Books | Aasha John (artist/ teacher), Becky Warnock (artist/educator), Seth Pimlott (Engagement Curator at Autograph) | Launch of artist and teacher Aasha John's publication As I Weave, developed during her Visible Practice Residency at Autograph, with a conversation with Becky Warnock on teaching and creative practice and a hands-on weaving workshop. | ||
| July 2024 | Curator | Exhibition, Researcher Talk, Performance Event | SET Studios, London | Research duo: Identity 2.0 Artists: Nitesh Tailor, Axe Binondo, Mac Andre Arboleda & Rollyna Domingo, Mark A. Hernandez Motaghy, Johnny Henson, Jasmine Zhang 張夢嬌 |
A multimedia group exhibition exploring the trust and mistrust we place in technology and the history and networks that support its functionality, funded by the National Lottery through Arts Council England. | ||
| May 2024 | Guest Curator | Screening | Flatpack Festival, Birmingham | Artists: April Lin 林森, Jasmine Lin | A screening exploring Chinese diasporic lesbian identity through film and shared resources, pairing Alice Wu's Saving Face with April Lin's short Reality Fragment 160921, with a zine made by April and Yifan. | ||
| March 2023 | Curator | Exhibition, Panel Talk, Performance Night | Staffordshire Street Gallery | Artists: Chaney Diao, Kash & Germ, Axe Binondo, Zhuyang Liu, Nitesh Tailor, Song Han, Chia Amisola, Jiawei Zheng, Angeldust | A four-day programme of events around an exhibition of works by artists and gamers, centring queer+trans visions of a non-linear time-space and experiences of diasporas, funded by the National Lottery through Arts Council England. | ||
| July 2019 | Guest Curator | Exhibition, Events | Made in Arts London | Co-curators: Christopher Pearson and Lizzie Reid | Co-curated group exhibition of eighteen Made in Arts London artists at Free Range 2019, The Old Truman Brewery, staged as a domestic space to explore how states of mind shape perception and creativity. |
Speaking & Panels
| Date | Role | Organisation | Event | Fellow Speakers | Images | Description |
|---|---|---|---|---|---|---|
| September 2025 | Panel Speaker | Creative Talks at The Koppel Project (ANNEX) | Speakers: Ezekiel, Sophie Barshall. Moderator: Seren Metcalfe | The launch edition of Creative Talks at ANNEX, welcoming a new generation of voices to explore how digital platforms, social media and online movements are reshaping political art and activism today. |
Research & Study
| Date | Role | Organisation | Focus / Project Name | People | Description |
|---|---|---|---|---|---|
| July 2022 | Selected Participant | Paul Mellon Centre for Studies in British Art, Yale School of Art & Yale Department of the History of Art, London | Graduate Summer School: Art & Labour | Contributors: Helen Hester, Danielle Child, Lise Soskolne, Shela Sheikh, Emily McMehen, Tim Barringer, Zuleikha Chaudhari, Kate Nichols, Clare Twomey, Sara Wajid, Precarious Workers Brigade: Lucia Farinati and Marsha Bradfield, Sop, Peter Osborne, Lucca Fraser, Onyeka Igwe | A twelve-day programme of workshops, discussions and encounters with historical archives and contemporary practice, bringing together graduate art students and art history doctoral researchers from Yale and the UK on art's relationship to labour. |
| 2021 | Selected Cohort Member | Dark Study | Dark Study: an alternative higher education programme | Lecturers: Caitlin Cherry, Nicole Maloof, and Serubiri Moses. Advisor: David Borgonjon | An experimental, digitally-rooted online art and design programme taking an alternative approach to higher education, working outside traditional university structures, with David Borgonjon as personal advisor and seminars on art, politics and class: reading on how artistic production relates to politics, class and identity, and on imperialism, perception and the historical conditions of art. It also included a seminar led by Derubiri Moses reading Fred Moten and Stefano Harney’s The Undercommons. |
| 2021 | Online Correspondence | Goethe-Institut & Polis180 | Online Correspondences on the EU’s Digital Futures. AI and Inclusion – for whom and by whom are AI applications developed? | Project lead: Isabelle Kranabetter Collaborators: Hannah Pelikan, Tereza Hendl |
Part of a five-week digital dialogue on European digital policy, "EU Digital Futures", pairing data science and art perspectives to add often neglected voices to the conversation, with results presented at the Conference on the Future of Europe on 30 June 2021. Funded by the German Federal Foreign Office. |
Writings
| Date | Title | Type | Publication | Description | ||
|---|---|---|---|---|---|---|
| 2022 | Reconfiguring the Space/Time of the Future for Diasporic Bodies Affected by Tech – A Study on Meriem Bennani's Party on the CAPS (2019) | Essay | Gen Z Issue, Shades of Noir | A close look at Meriem Bennani's Party on the CAPS (2019) and how the film negotiates the future as unevenly distributed in relation to immigrating/diasporic bodies (bodies on the move) affected by tech. | ||
| 2022 | Embodiments and Disembodiments in Technology | Essay | Broad Street Humanities Review, Boundaries, Issue 6 | Looks at the politics and technologies which read and write bodies through four case studies (Alexa, Shudu, Computer Camouflage Dazzle and Black Trans Archive), challenging the digital and physical divide and celebrating pro-illegibility and pro-transiness world/body-building. | ||
| July 2021 | Christopher Matthews' 'My Body's an Exhibition' | Exhibition Review | Abundant Art | Review of a Sadler's Wells takeover of 24+ works by international performance makers and artists, exploring the role of the space and the spectator. | ||
| May 2021 | Overflow – Alexander Whitley Dance Company | Performance Review | Abundant Art | A review of Overflow, presenting a myriad of reflections of digital bodies in big data, exploring the boundaries of the digital screen through light, sound and movement. | ||
| March 2021 | Interview with Akshay Bhoan: The Resurgence of Trauma and Family Lineage | Interview | Third Culture Kids, Shades of Noir | An interview with Akshay Bhoan on the resurgence of trauma, family lineage and the ambiguity of Sufi poetry, asking whether he was seeing something different or 'the same trauma that lies underneath, that rises up in different manifestations'. | ||